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Posts tagged ‘film’


The 65th Cannes Film Festival: A view from the Red Carpet.

The aim of the Cannes International Film Festival is to discover new talents, to promote all types of films and, to develop collaboration among filmmakers. It seeks to improve film industry worldwide and celebrates cinema as “an Art form”.

The Cannes Festival owes much of its current format to its President Gilles Jacob. Throughout the throughout the 1950´s the Festival was becoming gradually more popular due to the attendance of celebrities such as Kirk Douglas, Sophia Loren, Grace Kelly, Brigitte Bardot and Cary Grant. In 1978 Jacob wisely began to exploit this tendency as a way of revolutionizing the Festival’s format. At the same time he introduced two important components: the Caméra d’Or award and the Un Certain Regard section. The Caméra d’Or is given for the best first feature film, a film the quality of which suggests that its Director should be encouraged to make another. The Prix Un Certain Regard recognizes young talent and innovative, audacious works. In 1995 Jacob created the Cinéfondation, to inspire and support the next generation of international filmmakers and to facilitate entry of new talents in all areas of filmmaking.

2012 marks the 65th Edition of the Cannes International Film Festival! Today the Festival hosts over 40 filmmaking countries, giving each the chance to showcase the richness of their cinema. The Festival’s activities can be followed online in French, English, Spanish, Portuguese, Chinese, Japanese, Arabic and Russian.

Perhaps the best way to appreciate the Festival´s “flavour” and, to understand how it operates today, is to recognize that it caters to many interests and has many “autonomous parts”. The Cannes Film Festival is about all aspects of Film: Film in Competition, Films which are not competing, events that focus on several aspects of “film as Art” and, the Marché (the world´s largest film market).

In a typical Festival you can find you will find more than 60 films in competition. 20 films strive to obtain the coveted Palme d’Or – the Golden Palm for the Festival´s Best film, a further 20 compete for Prix Un Certain Regard, about 15 short and medium student films will be selected from film schools across the world and compete for inclusion in the Cinéfondation. Approximately 10 films compete for the Short Film Palme d’Or. There is even the Palm Dog! This independent award is presented for the best canine performance (live or animated), given this year to Banjo and Poppy for the film Sightseers.

Parallel to the screening of all the films in competition, there are also screenings of films that are not competing but have artistic value. Here we can find Special Screenings (chosen by a committee and displayed in locations appropriate to the identity / content of the respective film); Cannes Classics (tributes and documentaries focusing on cinema); Tous les Cinémas du Monde (each day another country displays its unique culture, identity and recent film work); Cinéma de la Plage (screenings of selected films for the mass public on Macé beach).

That is however still not all! Many events which do not involve the screening of films are also held. These include the Marché du Film, various Master Classes, Tributes and Exhibitions. I was pleased to see Marilyn Monroe honoured 50 years after her death as the icon of the 2012 Festival. Marilyn is still a major figure in world cinema and her story is an inspiration to me.

A very important part of the Festival de Cannes is the Marché du Film. This Film Market promotes the dual cultural and economic nature of cinema. Today, boasting in excess of 10,000 buyers and sellers and 4,000 films, it is the world’s leading market. It adds dynamism to the global film industry. The Marché facilitates networking and provides accredited professionals with the services and tools they need in order to exchange information; hold negotiations and uncover new opportunities.

Further events of importance are the Leçons de Cinéma (Cinema Masterclasses). Since the first Leçon de Cinéma (Cinema Masterclass) in 1991, by Francesco Rosi many other famous directors have taken their turn to talk about their artistic career and their views on film. Additionally the first Leçon de Musique (Music Masterclass) was given by Nicola Piovani in 2003 and the first Leçon d’Acteur (Acting Masterclass) was delivered by Max Von Sydow in 2004. Cannes is clearly not only a place to “see cinema” but also a place to “learn how to do it well”.

So what is it like to actually be on the red carpet? In a word – Exhilarating! I must admit that going to the Festival has been a long time dream of mine. The passion which the participants have for the “Seventh Art” brings people together in a very special, relaxed way. Where else could I have rubbed shoulders with P. Diddy, Brad Pitt, Heidi Klum, Janet Jackson and, of course, Chris Tucker, at a single event?. Where else could I show the latest creation by the portuguese stylist Micaela Oliveira, to such effect?

I also appreciated very much getting a chance to see “Killing Them Softly”, which was produced by, and which stars Brad Pitt. I really liked the character he played in this one!


D. W. Griffith: The Birth of a Nation and The Birth of Modern Cinema

In every field of human endeavor there are those individuals whose work sums up that which came before them. These are people whose work redefines the scope of their field for future generations. Everything that comes after is measured in reference to, and depends on, the work of such people. In the field of cinema D. W. Griffith was such a man.

Griffith´s three hour war epic The Birth of a Nation, tells the story of the Civil War itself, the assassination of Abraham Lincoln and the rise of the KKK (Ku Klux Klan), by portraying the lives of two families living through the experience. The story is told in a way that had never been done before. D.W. Griffith expanded the boundaries of storytelling on the screen, conveying a rich, complicated tale.

Using the techniques at his disposal Griffith sought to evoke an emotional response in the viewer. He began to transform this emerging medium from craft to Art. The foundations for the type of cinema which you and I enjoy today had been laid.

How was this done? Part of the reason was that in The Birth of a Nation D W Griffith introduced the following innovations, many of which became standard features of film:

  •  use of ornate title cards
  • special use of subtitles to graphically verbalize imagery
  • its own original musical score composed for an orchestra
  • introduction of night photography (using magnesium flares)
  • use of outdoor natural landscapes as backgrounds
  • definitive usage of the still-shot
  • elaborate costuming to achieve historical authenticity and accuracy
  • many scenes filmed from many different and multiple angles
  • the technique of the camera “iris” effect (expanding or contracting circular masks to either reveal and open up a scene, or close down and conceal a part of an image)
  • the use of parallel action and editing in a sequence
  • extensive use of color tinting to obtain dramatic or psychological effects
  • moving, traveling or “panning” camera tracking shots
  • the effective use of total-screen close-ups to reveal intimate expressions
  • beautifully crafted, intimate family exchanges
  • the use of vignettes seen in “balloons” or “iris-shots” in one portion of a darkened screen
  • the use of fade-outs and cameo-profiles (a medium closeup in front of a blurry background)
  • the use of lap dissolves to blend or switch from one image to another
  • high-angle shots and the abundant use of panoramic long shots
  • the dramatization of history in a moving story
  • impressive, splendidly-staged battle scenes with hundreds of extras (made to appear as thousands)
  • extensive cross-cutting between two scenes to create a montage-effect and generate excitement and suspense
  • expert story-telling, with the cumulative building of the film to a dramatic climax

These innovations resulted in a film that looked very genuine and authentic. A film of almost of documentary quality, that vividly reconstructed a momentous time period in history. Film scholars agree that The Birth of a Nation was the single most important and key film of all time in American movie history. The importance of Griffith to American cinema can be summed in the following two quotes:

Charlie Chaplin called him

“The Teacher of us All”

Orson Welles stated

“No town, no industry, no profession, no art form owes so much to a single man”

On your next visit to the movies, try to see how many of his innovations you can recognize. Then, imagine watching the same film with none of them! I think you will agree that the story you would be watching would certainly not be as enjoyable, nor as moving.

Want to know more about D. W. Griffith and his work? Have a look at the following links:

The Birth of a Nation: Public Domain film hosted, among others at the website.

Visions of Light: A 1992 documentary film that covers the art of cinematography since the conception of cinema at the turn of the 20th century. Many filmmakers and cinematographers present their views and analyse why the art of cinematography is so important to the process of “making movies”.


How Films are made: The Production Cycle behind your favourite movie.

As Dostoevsky noted all Arts imitate life to some degree. Film making is a particularly interesting example of this. As an Art form film can often affect us in a more visceral way than other Arts. Cinema joins the two ways of communication which most define humans as a species: Sight and Sound. Film tells us a story by showing it to us. Many people ask me about the details of my “behind the scenes work”, asking me how “are films made”? Below is a very simple outline of the process through which films are made.

Almost all films, especially those being produced for commercial consumption goes through a production cycle composed of five phases: conception, planning, execution, revision, and distribution. Each of these, in turn correspond to the following main stages of production:

  1. Development
  2. Pre-production
  3. Production
  4. Post-production
  5. Distribution

The production cycle of a film takes about three years: The first year deals with development, the second with pre – production and production and, the third year deals with post – production and distribution.

In pre – production preparations are made to shoot the film. Casts and crews are hired, locations are selected and sets are built. During this phase the idea for the film is developed and legal aspects pertaining to obtaining rights (of books, plays and earlier films) are taken care of.

During production the actual filming of the project begins. Vast amounts of recordings are done. This supplies the “raw elements” which will then be modified and polished in post – production.

In post – production much editing occurs to enhance what will been heard and seen in the finished product. Dialogues between characters are edited, songs and music tracks are composed, and sound effects are designed and recorded. During this phase any other necessary visual effects may be added digitally, through CGI (Computer Generated Imagery). Finally all sound elements are mixed into “stems”. These stems are then mixed joined with to the visual elements and the film is fully completed (“locked”). At this point it is ready for distribution.

Distribution is the final stage of film production. Here the film is duplicated and packaged for display in cinemas or onto consumer media (DVD, Blu-ray etc) and may even be prepared for direct download from an authorized provider. Because of the high financial risk involved in film making film much promotion is undertaken. Expensive marketing campaigns to seek to maximize returns early in the release cycle.

Usually a film is released with a launch party, press kits, posters, and other advertising materials, interviews with the press, press preview screenings, and film festival screenings. The film plays at selected cinemas and the DVD typically is released to the public a few months later.

So the next time you visit the cinema to watch the next blockbuster, give a brief thought to the long process it went through. I am eagerly awaiting “Skyfall” the 23rd James Bond film. “Skyfall” will be released later this year as part of the part of yearlong celebrations of the 50th anniversary of Dr. No and the James Bond series.

What will you watch?